Something like an arrowhead points upwards, made up of overlapping stripes of color, curve, shadow and suggestion.

Bottoms Up

These parts and pieces are familiar but made strange.

Yellow file icons hover against a flat white screen with text such as "Breaking Point," "Executive Model," and "M4M > Glory Hole > Fist Bump" labeling them, all below a title "On Power, in 20 Parts."

Interview

On Power, Art(s) Labor, and Resting in the Grass: Eden V. Evans and Brian Gillis Interviewed

by Tannon Reckling
Posted on September 16, 2021November 9, 2021

A collaborative, web-based art project probes the causes and effects of power.

A collage piece appears first to be a photograph of a houseplant sitting in a pot with a fabric backdrop, some of its leaves taped to that backdrop. Instead, some portions are replaced with drawings on portions of paper, painting, sketches, a work finished and unfinished.

Nature Inside

She uses whimsy and humor to reference loss, isolation, containment, and representation.

Have You Had a Burger?

While creating pieces for this series, Hyun Jung reflected on the various mundane yet charged questions she has received throughout her years spent in the United States: Have you had a burger? Can you paint my nails? Can you help me with my math homework? Have you been to North Korea? Do you have an English name?

A digital image of two bottles floating in a black field.

garima thakur & Sharita Towne: we’re out of control

We’re out of control is an exhibition centered on the ongoing impact and manifestations of colonialism—weaving multiple histories and geographies into cross-cultural solidarity.

a mixed media work, primarily using turf, first as a tri-panel backdrop for part of the piece, over which what seem to be shadows from tree branches are cast, and secondly as the shadow—in the form of a human's silhouette—of the central object, which seems to be a chair with very tall legs. Behind this, black and white geese walk in a line.

Sung Eun Park: Pleasant Exchanges

The COVID-19 pandemic has urged us to reflect on our mortality. The intensity of this inevitable shadow forces us to accept the prospect of death—an acceptance that impacts the way we lead our lives.

Variable West

New Voices on West Coast Art

Tag: Well Well Projects