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FROM THE ARCHIVES | Imagining Caregiving as Constant: Contact Traces at the Wattis Institute
FROM THE ARCHIVES | Love Letter to Patricia Hagen
FROM THE ARCHIVES | Residential Intimacies: Shoccara Marcus Choreographs the Past and the Present at Wa Na Wari
FROM THE ARCHIVES | Disco as a Communal Site of Pleasure: Coady Brown’s nightlife paintings at Shulamit Nazarian
FROM THE ARCHIVES | The Radical Potential of Graphic Design: Jules Cordova Interviewed by Ella Ray
FROM THE ARCHIVES | New Images for an Old Struggle: Jacob Lawrence at Seattle Art Museum
FROM THE ARCHIVES | Going Through the Motions: Speculations on Birth in Patricia Piccinini’s The Awakening
FROM THE ARCHIVES | Love Letter to Pauline Oliveros
Resurrecting a Twentieth Century Cabaret Artist to Resist Oppression Today: Witch’s Kitchen by Shana Lutker and Active Cultures
Artists Fill San Francisco’s Cliff House with Warnings of Environmental Disaster: “Lands End” Reviewed
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