We Are Here: Contemporary Art and Asian Voices in Los Angeles brings attention to the dynamic voices in our diverse metropolis that extend viewers’ knowledge and understanding of the Asia Pacific region. The exhibition highlights seven female contemporary artists of diverse Asian Pacific heritages living and working in Los Angeles.
Art History Professor Akiko Walley and Chief Curator Anne Rose Kitagawa team-taught an Utagawa School course, in which students studied this vibrant artistic tradition and learned about exhibition planning in order to contribute to this installation, which features more than 30 loans from Lee and Mary Jean Michels along with prints from the museum’s permanent collection.
Yellow No. 5 examines the transactional relationship between culture and consumerism and how they often work in tandem to conceal their connection. Tariqa Waters’ project-based, multi-disciplinary exhibition sees her collaborate with regional artists to explore the grab-and-go nature of material goods and how these products serve as armor to shield us from our intrinsically codependent relationship with consumerism—using artificial additives.
For the past 8 years, the Art of the Athlete (AofA) program has been an education program for UO student-athletes as part of the museum’s broad outreach program which engages diverse student groups from across campus. AofA workshops are designed for students to experiment with a variety of media including sculpture, photography, collage/mixed media, oils, watercolors and acrylics.
Anastacia-Reneé’s poetry and performances are an assertion of presence that counteract the erasure of those who have been marginalized by American society. With an unflinching focus on collective liberation, her work is rooted in the Black feminist and womanist traditions, and their intersectional approach to addressing racism, sexism, homophobia, ageism, and class.
The Jordan Schnitzer Museum of Art is pleased to host Nkame, a solo exhibition dedicated to the work of the late Cuban printmaker Belkis Ayón (1967-1999). During her short but fertile career, she produced an extraordinary body of work central to the history of contemporary printmaking in Cuba and abroad.
Jacob Lawrence: The American Struggle questions the stories we’ve been told by amplifying narratives that have been systematically overlooked from America’s history. This exhibition reunites Lawrence’s revolutionary 30-panel series Struggle: From the History of the American People (1954–56) for the first time since 1958.