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Category: Review

  • The Boundless Light of Black Children: Barbara Earl Thomas’s “Geographies of Innocence” at Seattle Art Museum

    The Boundless Light of Black Children: Barbara Earl Thomas’s “Geographies of Innocence” at Seattle Art Museum

  • Disco as a Communal Site of Pleasure: Coady Brown’s nightlife paintings at Shulamit Nazarian

    Disco as a Communal Site of Pleasure: Coady Brown’s nightlife paintings at Shulamit Nazarian

  • For the Love of Friends: Jonathan Berger at Adams and Ollman

    For the Love of Friends: Jonathan Berger at Adams and Ollman

  • Lessons from the Forest: Arboreal at / Gallery

    Lessons from the Forest: Arboreal at / Gallery

  • Imagining Caregiving as Constant: Contact Traces at the Wattis Institute

    Imagining Caregiving as Constant: Contact Traces at the Wattis Institute

  • Residential Intimacies: Shoccara Marcus Choreographs the Past and the Present at Wa Na Wari

    Residential Intimacies: Shoccara Marcus Choreographs the Past and the Present at Wa Na Wari

  • An Expansive Examination of Life and Death: Ameh Egwuh at Rele Gallery

    An Expansive Examination of Life and Death: Ameh Egwuh at Rele Gallery

  • Going Through the Motions: Speculations on Birth in Patricia Piccinini’s The Awakening

    Going Through the Motions: Speculations on Birth in Patricia Piccinini’s The Awakening

  • Neon Abundance Highlights Our Lack of Substance: Energy Drink at Museum of Museums

    Neon Abundance Highlights Our Lack of Substance: Energy Drink at Museum of Museums

  • Drawing Moments of Everyday Life with a Typewriter: Lenka Clayton at Catharine Clark Gallery

    Drawing Moments of Everyday Life with a Typewriter: Lenka Clayton at Catharine Clark Gallery

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