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Category: Review

  • The Mesmerizing Secrets of Mundane Objects: Mariel Capanna Overlook at Adams and Ollman

    The Mesmerizing Secrets of Mundane Objects: Mariel Capanna Overlook at Adams and Ollman

  • FROM THE ARCHIVES | Imagining Caregiving as Constant: Contact Traces at the Wattis Institute

    FROM THE ARCHIVES | Imagining Caregiving as Constant: Contact Traces at the Wattis Institute

  • FROM THE ARCHIVES | Residential Intimacies: Shoccara Marcus Choreographs the Past and the Present at Wa Na Wari

    FROM THE ARCHIVES | Residential Intimacies: Shoccara Marcus Choreographs the Past and the Present at Wa Na Wari

  • FROM THE ARCHIVES | Disco as a Communal Site of Pleasure: Coady Brown’s nightlife paintings at Shulamit Nazarian

    FROM THE ARCHIVES | Disco as a Communal Site of Pleasure: Coady Brown’s nightlife paintings at Shulamit Nazarian

  • FROM THE ARCHIVES | New Images for an Old Struggle: Jacob Lawrence at Seattle Art Museum

    FROM THE ARCHIVES | New Images for an Old Struggle: Jacob Lawrence at Seattle Art Museum

  • FROM THE ARCHIVES | Going Through the Motions: Speculations on Birth in Patricia Piccinini’s The Awakening

    FROM THE ARCHIVES | Going Through the Motions: Speculations on Birth in Patricia Piccinini’s The Awakening

  • Resurrecting a Twentieth Century Cabaret Artist to Resist Oppression Today: Witch’s Kitchen by Shana Lutker and Active Cultures

    Resurrecting a Twentieth Century Cabaret Artist to Resist Oppression Today: Witch’s Kitchen by Shana Lutker and Active Cultures

  • Artists Fill San Francisco’s Cliff House with Warnings of Environmental Disaster: “Lands End” Reviewed

    Artists Fill San Francisco’s Cliff House with Warnings of Environmental Disaster: “Lands End” Reviewed

  • The Politics of Nature: Ansel Adams In Our Time at Portland Art Museum

    The Politics of Nature: Ansel Adams In Our Time at Portland Art Museum

  • The Boundless Light of Black Children: Barbara Earl Thomas’s “Geographies of Innocence” at Seattle Art Museum

    The Boundless Light of Black Children: Barbara Earl Thomas’s “Geographies of Innocence” at Seattle Art Museum

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