Join Craig Calderwood for a special walkthrough of her exhibition, The Light Bulb Sound, and…
The exhibition, like the film after which it is titled, offers an immersive introduction to the distinctive combination of technical experimentation and earnest intimacy that defined Hammer’s singular vision of lesbian identity and authorship in the 1970s. Featuring artworks made while Hammer was living in San Francisco, Women I Love comprises the most extensive presentation of Hammer’s work on the West Coast to date.
San Francisco-born Carlos Villa (1936–2013) was a groundbreaking American artist whose work broadened the horizons of 20th-century modernism. His search for personal and aesthetic meaning in his own Filipino heritage and global indigenous cultures led him to develop an original and expansive approach to art and the role of the artist.
The materials allow a certain freedom, creating work that is intentional and purposeful in its happenstance.
Jessica Silverman is pleased to announce Julian Hoeber: Relief From Pictures, on view from January 15…
In every instance, these works are remarkable not only for the gorgeousness of color and mysteriousness of process, but also because of the tranquility they exude.
Through these varied structural forms, she explores convergences of history and heritage, minimalism and adornment, material and light.
This work is about the birds, rivers, trees, fruit, forests, apartment blocks, and the people and streets of six lives and the forces that lead one to leave the treasured and familiar behind.
The jumping-off place are artworks referring to lexicons or cartography, which become metaphors for finding our place in the universe.
His desires and narratives are given visual form through photography, a medium that is as true and objective as it is malleable and obfuscating.