Our eyes receive the information, but are we viewers, or readers?
Though frequently political, his work adamantly resists classification into movements or stylistic trends.
Jacob Hashimoto’s art practice bridges sculpture, painting, and installation through entrancing and complex installations that shift perceptions of light, space, and motion.
In her pieces, Karimi has appropriated geometric and tiling patterns with Kufic script from a 97-foot late medieval Iranian document called the Topkapi scroll housed at the Topkapi Palace in Istanbul, Turkey.
A Portland letterpress studio uses humor and community building to encourage diverse perspectives
Familiar warning signs, obtuse punctuation, scribbles, shreds, flames and compost amass in a process of renewal-based gestures that make space for something new and unknown to occur.
Building resilient communities through an anti-institutional art practice
The featured works represent an outpouring of creative energy imbued by the initial days and weeks of the pandemic and the collective sense of distress in the months that have followed.
The exhibition reveals the artist’s complementary approaches between the mindful deliberations of printmaking techniques and the observational immediacy of line seen in her plein air style paintings.
The Jordan Schnitzer Museum of Art is pleased to host Nkame, a solo exhibition dedicated to the work of the late Cuban printmaker Belkis Ayón (1967-1999). During her short but fertile career, she produced an extraordinary body of work central to the history of contemporary printmaking in Cuba and abroad.