he composition is collectively devised, continuously revealing emergent poetics within the stream of images, movements, and sonics.
Tag: performance art
Created specifically for this public space, her thermodynamic sculptures made from galvanized steel invites participation.
DIG: A Hole To Put Your Grief In, a project by Cara Levine and supported by the AJU’s Institute for Jewish Creativity, is a week-long performance of digging a large-scale hole in the ground, around which other artists will utilize the site as a container for new works relating to grief and mourning, after a year of great collective loss.
While creating pieces for this series, Hyun Jung reflected on the various mundane yet charged questions she has received throughout her years spent in the United States: Have you had a burger? Can you paint my nails? Can you help me with my math homework? Have you been to North Korea? Do you have an English name?
Their work sublimates colonial histories through performance and sculpture to map geographies of the future.
Building resilient communities through an anti-institutional art practice
Through gestures and actions that intervene in everyday life, Chantal Peñalosa establishes dialogues with entities that apparently cannot respond: memories, rumors, architecture, stones, clouds, aromas, or gestures.
Anastacia-Reneé’s poetry and performances are an assertion of presence that counteract the erasure of those who have been marginalized by American society. With an unflinching focus on collective liberation, her work is rooted in the Black feminist and womanist traditions, and their intersectional approach to addressing racism, sexism, homophobia, ageism, and class.
Completed earlier this year, No Go Backs (2020), shot on Super 16mm film with an original sound score and no dialogue, follows two teenagers (and real life friends) who leave the city for the wild.