Douglas Wiltshire’s thesis exhibition, Cocooning, gleans vessels of death through jewelry, sculpture, and found objects in order to understand how spirit inhabits inert material.
Madison Queen’s thesis exhibition The Gallery of Metamorphics pictures the underlying fearful, sexual, and absurd desires embedded in commercial beauty and fetish products that (re)form our conceptions of selfhood through photography.
Kelsey Hamilton Davis’ thesis exhibition In the House of Weird Sisters queries longings for heritage narratives through environments configured with ceramics, textiles, found objects from her New England home, and organic materials.
Ryan Kitson’s thesis exhibition The Four Seasons examines the power of subsistence outside of market demands through cast-glass and found-object sculptures.
Wade Schuster’s thesis exhibition /trəˈvərs/ investigates the experiences of memory and time through walking translated into oil painting.
PNCA’s Low-Residency MFA in Visual Studies Thesis Exhibition Series, some rites from a spring reckoning presents a new series featuring the thesis exhibitions of Kelsey Hamilton Davis, Ryan Kitson, Madison Queen, Wade Schuster, and Douglas Wiltshire.
The PNCA Low-Residency MFA in Visual Studies is excited to welcome Young Chung, Founder and Space Operator of Commonwealth and Council for a lecture on our work and practice