Jennifer Georgescu’s Mother Series communicates how the artist grapples with the loss of sense of self as she grows into motherhood, and the complicated relationship to her own mortality. In her own words, Georgescu says, “Motherhood is precious and raw; wonderful and dark.”
he project was funded by a grant from the Regional Arts and Culture Council. In tandem with the show Water Briefed, a book featuring the series will be for sale.
Patricia Vázquez is a multidisciplinary artist originally from the ancient Tenochtitlán, and based in the unceded and occupied lands of the Chinook, Clackamas, Multnomah and other Indigenous peoples. Her new exhibition, Ku beeta’al bej ikil a xíimbal, includes painting, printmaking, video, installation, documentation and participatory projects that illustrate the challenges and joys of becoming an artist.
Once, not so very long ago, photographs were indicators of veracity.
Top-heavy and improbably balanced, the risky equilibrium of these boulders threatens imminent collapse, and the perspective is disturbingly uncertain.
The exhibition consists of new figurative paintings continuing the artist’s practice of working with source and reference material from the artist’s own childhood.
These works by Rubin are additionally meditations on the practice of painting, demonstrating how a few, sure brushstrokes can be used to suggest light falling on form, defining a mental state or conjuring a mood.
Brown’s paintings examine how groups, couples, and solitary figures navigate self-presentation in private and public life. For this new series, Brown utilizes the dark nightlife of a disco as a thematic parameter to conjure the experience of gathering in a space designated for catharsis and ecstatic exaltation.
Baroque figures, furniture and environments are infused with transgender bodies, process color palettes and mythological characters
An artist contemplates life, death, and the afterlife through unexpectedly cheerful symbols.