The sheer beauty of the imagery is immediately seductive while the title Re:place invites further contemplation on broader themes of renewal, reckoning or reconsiderations of our place within these bucolic settings.
Jacob Hashimoto’s art practice bridges sculpture, painting, and installation through entrancing and complex installations that shift perceptions of light, space, and motion.
Lê’s evocative photographic artworks combine interior and exterior pictures of Cambodian sites and pair the seemingly unresolvable, competing narratives of a country’s past and present.
Nested shapes appear to radiate and float in the cosmos amid a softly diffused palette of grays, pinks, blues, and yellows that emphasize their transformative, mystical quality.
Chaotic scenes paint a cheeky and surreal image of capitalist futures.
Pierce continues to illuminate relationships between the human and natural world through dynamic dreamlike imagery infused with moral complexity and wonderment.
The exhibition reveals the artist’s complementary approaches between the mindful deliberations of printmaking techniques and the observational immediacy of line seen in her plein air style paintings.
Elizabeth Leach Gallery is pleased to present Michelle Ross, I Am Your Signal, an exhibition of new boldly-colored abstract paintings.
Saar pays tribute to the African American artists of the Harlem Renaissance through panoramic scenes of imagined dancers, singers, musicians and patrons enjoying Harlem’s heyday of the 1930-40s.
Elizabeth Leach Gallery is pleased to present A Postcolonial Landscape by Modou Dieng, featuring paintings that explore themes of Black representation and erasure in a globalized society. Dieng reimagines his own experience through dazzling, idiosyncratic mixed media artworks that engage in dialogue with personal narratives and Eurocentric art history.