A color photo of a lone bristlecone pine stands on the ridge of Mt. Washington. Fine texts, through the flow of ridgelines, are written all over the photograph.

Ian van Coller: Naturalists of the Long Now

In this exhibition of photographs, Ian van Coller breaks down barriers between art and data to offer a dialogue between text and image, landscape and viewer, expert and novice, and past, present, future. With the current Climate Change crisis on our minds and in our midst, the project aspires to help viewers understand the long-term impact of this change on generations to come.

White and pastel flowers with grand, droopy leaves sit in a vase before two framed photographs, the faces of whose are covered.

Birthe Piontek: Abendlied

he result captures the last years of her parents in their house —her childhood home– where they had lived for almost 40 years before having to move due to her mother’s battle with dementia.

A photo collage, wherein the painted eyes and forehead of an individual are superimposed over a dated photograph of a boy wearing a collared shirt and tie, against a dreamy landscape background.

Gary Burnley: The Known World

Burnley constructs images that layer our memory with revered representations of beauty, power, influence, identity and social status into unlikely, chance encounters with other images.