Arches of dark brush strokes curve and overlap each other, forming something of a bridge and dripping down the whitespace at the bottom of the page.

Charlie Milgrim: Water in Motion

She works in painting, sculpture, installation, and photography, and with a wide range of materials including bowling balls, discarded objects, and folded tar paper.

Poster advertising event, the text "Joint Compoint" arranged in an L-shape, with the "artist conversation" event's details centered and superimposed over a light purple background, images of mushrooms and branches faded in lighter shades.

Joint Compound : Artist Conversation

We welcome you to join us in conversation about our group exhibition Joint Compound, each of our works included, our individual practices, our approach to working as a collective, and beyond.

Light blue background with graphic, light lined stylized building with red, yellow, orange, green, and pink flames on rooftop and side left. Text on building placard says "PIGZ". Italic outline text on left of image says "Burn It Down."

Things that have to do with fire

Their newest series of video, print and large-scale textile banners focus on the social, racial and environmental upheaval during the summer of 2020. Led by the ideals of Black Lives Matter, Antifa and their own background as a radical educator, Vo’s solo show investigates the multitudes of activism and is a call for social justice and global solidarity.

Photo collage of Panteha Abareshi performing. There is a grid of nine images evenly spaced on a background with a circular gradient that transitions from red in the center, to yellow, and turquoise at the edges. Each of the images shows the performer in a different moment. They are wearing white under garments and knee pads and using two crutches. At the bottom of the image, the word PANTEHA appears in thin, black, sans serif text.

NO SANCTUARY

Fuller Rosen Gallery presents NO SANCTUARY, a two-person show of new work by Panteha Abareshi and Kayley Berezney. Set against the backdrop of a global pandemic, NO SANCTUARY explores the intimate relationship each artist has with their own health.

A blackboard with layers upon layers of writing in Persian, equations, and diagrams written in white chalk.

Pantea Karimi: The Unbearable Lightness of Mathematics

Since 2014, Pantea Karimi’s work has been an exploration into the pages of medieval and early modern scientific manuscripts. Karimi’s current project reflects on her intensive science training in high-school with the aim of becoming a doctor; a goal that she abandoned to pursue an art career. This project revisits her interest in the topic through the lens of art.

An exhibition flyer for SPECTRUM at Third Room, featuring artists Francis Dot and Pace Taylor

Spectrum: Francis Dot & Pace Taylor

Francis Dot and Pace Taylor are two artists who locate themselves as different instantiations of the SPECTRUM and were invited to present elements and particles of their practice, identity, history and consciousness of themselves as they are situated in relation to their relative experiences.