Kathleen King’s recent assemblage and sculpture is comprised of materials gathered from city streets and the waste stream. An Event in the Form of Questions grids and structures evoke the given order from high-rises to prisons. This work challenges viewers to look at abandonment and lack as both material and spiritual conditions, as well as to think about satisfaction, which is linked to consumption and our global climate catastrophe. What do we need?
Jill McLennan’s work moves from local to global focus as she documents the movement of humans and animals around the planet in Migration Altered. McLennan’s paintings address the human impact on the earth through time, traveling back to a place inhabited by indigenous people and looking forward to damaged wetlands being reclaimed by birds.
While rigor and reason shore up Euclid’s logical system of plane geometry, Charlie Milgrim takes a more intuitive approach and renders her own geometric system of the three basic planes—the circle, square, and triangle. In Plane Shapes she creates an association of non-objective paintings and objects in which concentric and eccentric circles—one ordered, one disordered— collide with the linear edges and sharp corners of squares and triangles.
The exhibition is titled “opening” and features new work by Elmeater Morton, Chris Johanson and Sharada Tolton.
The beauty of nature is both fierce and fragile: the destructive power of a tornado wrapped in the delicacy of flower petals.
Metamorphosis is a metaphorical extension of her garden and symbolizes life, death, and renewal.
She works in painting, sculpture, installation, and photography, and with a wide range of materials including bowling balls, discarded objects, and folded tar paper.
We welcome you to join us in conversation about our group exhibition Joint Compound, each of our works included, our individual practices, our approach to working as a collective, and beyond.
Their newest series of video, print and large-scale textile banners focus on the social, racial and environmental upheaval during the summer of 2020. Led by the ideals of Black Lives Matter, Antifa and their own background as a radical educator, Vo’s solo show investigates the multitudes of activism and is a call for social justice and global solidarity.
Fuller Rosen Gallery presents NO SANCTUARY, a two-person show of new work by Panteha Abareshi and Kayley Berezney. Set against the backdrop of a global pandemic, NO SANCTUARY explores the intimate relationship each artist has with their own health.