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In a gallery space, against a white wall, to the left, multiple pieces of paper are organized on the wall; to the right, a large piece, covered in paint, spray paint, and other materials hangs.

THE GLITTER ANTHOL-OH-GEEZE: Mia Winters & Mars Alien

Gather:Make:Shelter 906 NW 14th Ave, Portland, OR

We focus on creating healthy, productive human relationships that bring houseless and housed people together to empower each of them in new ways.

Free
Colored blocks of all shapes—one a keyhole, one the letter "J," one a stalagmite, one a vase—are stacked closely together and atop each other against a white background.

Nathan Paul Rice ‘Mini Parc’

Stephanie Chefas Projects 305 SE 3RD AVE STE. 202, Portland, OR

His designs invite a playful and participatory experience that brings attention to the spaces existing between objects, their uses, and their meanings.

Free
Two hand-sculpted forms set beside each other—one is white and supports a vase, a long arm arched over the side to support it; another stands erect, a lanky spire with a wider bottom and a narrow neck.

Dawn Cerny: Pleasure Garden

SE Cooper Contemporary 6901 SE 110th AVE, Portland, OR

A shape is flat, and a form isn’t.

Free
A sketched figure in a full, Victorian-era dress is caught in motion, their arms a soft blush, ribbons a warm pink, and long beak that of a duck.

Molly Jae Vaughan: After Boucher

Fuller Rosen Gallery 1928 NW Lovejoy St., Portland, OR

Baroque figures, furniture and environments are infused with transgender bodies, process color palettes and mythological characters

Free
A clear box full of multi-sized cream and yellow cubes casts a long shadow against a white wall.

Gina Han: Recollection

Agenda 4505 SE Belmont, Suite A, Portland, OR

These works are not derivative of any specific work yet their immediacy and profound release of control feel important, challenging and joyous all at once.

Free
A black object hanging against a white wall resembles undulating mountains, or waves in the ocean, with sharp peaks and smoothed valleys.

Stefanie Victor

Adams and Ollman 418 NW 8th Avenue, Portland, OR

Small in scale, the works relate to the body and it’s trace movements, as well as domestic infrastructure and hardware, and are made from a range of materials including metal, glass, ceramic and concrete.

Free
An individual in a puffy jacket, carrying a bag, is dwarfed by decrepid high-rise buildings, yawning, weed-ridden streets, and an apocalyptic, clouded sky.

THE ART OF THE NEWS: COMICS JOURNALISM

Jordan Schnitzer Museum of Art 1430 Johnson Lane, Eugene, OR

The best works of comics journalism stand as compelling examples of how the news might be reimagined as an artistic practice.

Free
Hanging on a white wall, wide, decisive, and airy brushstrokes remember a huddle of trees beyond a dirt road and beneath a misty, yawning sky.

Stephen Hayes – Re:place

Elizabeth Leach Gallery 417 NW 9th Avenue, Portland, OR

The sheer beauty of the imagery is immediately seductive while the title Re:place invites further contemplation on broader themes of renewal, reckoning or reconsiderations of our place within these bucolic settings.

Free
Streaks of light and color blur behind blue and green and yellow lines, diagonal, directional, and bold.

Gregg Renfrow – Apprehension of Beauty

Elizabeth Leach Gallery 417 NW 9th Avenue, Portland, OR

Each artwork is responsive to its environment’s surrounding light and possesses an aura of spirituality more commonly associated with natural phenomena like the ocean, sky, or a sunset.

Free
On a sidewalk, before an ad in which a tuxedoed man leans on a cushion, a woman waits, holding a bouquet of flowers. Nearby, a boy leans on a pole, holding a box.

Manal Abu-Shaheen: Mapping Utopia

Blue Sky 122 NW 8th Avenue, Portland, OR

Shot on location, this series began with exploring advertising and urban construction, two of the driving forces of Beirut’s economy.

Free
A curvy, ruby red vase takes on distorted and jumbled, caricature-esc features of a devil, including horns and a cartoony grin.

tierra de GIGANTES | Iván Carmona

PDX CONTEMPORARY ART 925 NW Flanders, Portland, OR

The works are representative of his own personal experiences, which come together to reconstruct the landscape and culture of his homeland, manifesting a synesthetic fantasy of shape and color.

Free
The heads of five individuals are painted in a row, their eyes and lips lightly closed, their skin color arranged from darkest to lightest, and their hair identical: extravagantly floral, with feathers and bulbs and pedals sprouting upwards and out of their heads.

My Lovely Mind

The Colony 7525 North Richmond Avenue, Portland, OR

All original acrylic paintings.

Free
Against a clouded grid of creams, reds, and milky blues, an arm of orange reaches across the center of a quilt, while two spires and one blob of black hover, in stark contrast.

Sky Exchange II | Portland Textile Month

8371 N Interstate Ave, Portland, Portland, OR

Rather than one artist creating a body of flags, the participants themselves became the makers and contributed one handmade flag to be featured in the final exhibition in Portland, Oregon.

Free
On the left, wide, blocky brushstrokes and splatters hint at the form of fruit. On the right, a green orb hangs from brown straps against a felt wall.

To Have A Friend Takes Time

after/time 707 NE Broadway Suite 205, Portland, OR

In, To Have A Friend Takes Time, Meyer and Stewart add play to the process of art-making by setting rules for themselves.

Free
Out of a pixelated blizzard, the corners of a room sink into view, and the shape of a sink emerges from the wall.

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Agenda 4505 SE Belmont, Suite A, Portland, OR

This painstaking and lengthy process of installation deserves an in-person pilgrimage as photo documentation cannot represent the experience of being enveloped in this organized chaos.

Free
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