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A grid of rectangular, colorful posters, each with a monochromatic illustration of a different person. Behind each portrait are two repeated columns of text. On the right, the text reads #FREETHEMALL. On the left, the text reads #FREE and the person's name, for example, #FREEYOHANNE and #FREERUBEN. Below the portraits is more text and a QR code. The text introduces the person and says that they are detained at the Northwest Detention Center in Tacoma, WA.

Free Them All: Portraits from La Resistencia

Henry Art Gallery 15th Ave NE &, NE 41st St, Seattle

La Resistencia’s #FreeThemAll campaign shares visual and narrative portraits of people detained within the Tacoma ICE Processing Center

Free
A painting of orange and red flowers on a light blue background. The flowers seem to be floating through a blue sky, with silver and purple swirls and white dots weaving around them.

Art on the Mind: Ten Years of Creative Aging

Frye Art Museum 704 Terry Avenue, Seattle

Designed to alleviate some of the social, emotional, and financial challenges that a person living with dementia may face, the Frye’s Creative Aging programs serve as opportunities to deepen their life experiences, foster friendships, and build community through art.

Free
This piece, using cut paper and hand-printed color, depicts two small children — one, a boy, slightly older than the other, a girl — standing back to back, arms crossed, with grins on their faces. The girl is wearing a short sleeved dress; the boy, a patterned shirt.

Barbara Earl Thomas: The Geography of Innocence

Seattle Art Museum 1300 1st Ave, Seattle

Barbara Earl Thomas’ new body of work carries within it the sediments of history and grapples with race and the color line. At the heart of her new work is a story of life and death, hope and resilience—a child’s survival.

Free
This sweeping painting elongates the limbs of its subjects' raised fists, so they appear mountainous, triangular, and dynamic. The bottom and middle of the frame is crowded with individuals of this form, creating the sensation that a group is on the verge of riot. In the top left, a man in black garb leans forward, stretching his body across the top of the piece, pointing his finger. Deep, dark colors, including shades of brown, black, red, green, and one sharp flash of blue, dominate this piece.

Jacob Lawrence: The American Struggle

Seattle Art Museum 1300 1st Ave, Seattle

Jacob Lawrence: The American Struggle questions the stories we’ve been told by amplifying narratives that have been systematically overlooked from America’s history. This exhibition reunites Lawrence’s revolutionary 30-panel series Struggle: From the History of the American People (1954–56) for the first time since 1958.

Free
A cabinet contains a few small items: the heads and arms of tiny figures, a painting of a black woman in a blue dress, a white car that reads "race, kind, sort."

Lisa Myers Bulmash: Holding Patterns

Wa Na Wari 911 24th Ave, Seattle

I may be stuck in this holding pattern with the pandemic, the racist fallout from the last four years, and my rage at feeling so vulnerable as a Black woman.

Free
A sculpture piecing together layers of fabric and yarn in an oval shape, growing darker nearer the center where lies a resin cast flower, evoking the sensation of an ovular, tectonic inside.

Colleen RJC Bratton: Endometrial Atmosphere

SOIL 112 3rd Ave S, Seattle

There are so many factors that have to come together to support delicate life. I’ve changed countless ways in which I navigate this life and my body in order to bear a child.

Free
Collage of various posters, clippings, images—jumbled together and divided into three distinct side-by-side panels, each saturated a different color: red, green and blue, from left to right.

Gary Simmons: The Engine Room

Henry Art Gallery 15th Ave NE &, NE 41st St, Seattle

His work is occupied by the unfixed nature of a past that remains open to the vagaries of memory, and its role in the construction of the character of contemporary America.

Free
In an intimate photo of a work on white paper, streaks of black and blue race across the page in feverish movement,.

sidony o’neal: AuguRing

Veronica 2915 Rainier Avenue South, Suite 12b, Seattle

What can the drama of low dimensional objects/relations reveal about n-dimensional objects/relations?

Free
This blurred photograph softens the edges of the flowers in the foreground, blending the scene into an ambivalent background, creating a simultaneously frenzied and meditative space for motion, direction, and contemplation.

Deb Achak: My Eyes Need Beauty

Winston Wächter Fine Art 203 Dexter Ave N, Seattle

I found strength and optimism through the healing power of flowers, vivid color, and meditative movement.

Free
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