Zamin Project
Aggregate Space Gallery 1255 26th ST STE 101, Oakland, CAThrough dedicated artist interviews and panel discussions, members of the Bay Area SWANA community address a critical question: how can we create our own resources?
Through dedicated artist interviews and panel discussions, members of the Bay Area SWANA community address a critical question: how can we create our own resources?
The show focuses on art as meditation device and practice.
She works in painting, sculpture, installation, and photography, and with a wide range of materials including bowling balls, discarded objects, and folded tar paper.
Metamorphosis is a metaphorical extension of her garden and symbolizes life, death, and renewal.
The beauty of nature is both fierce and fragile: the destructive power of a tornado wrapped in the delicacy of flower petals.
Cheung’s paintings repel ideas of heteronormativity and stress the idea that representation matters. The ambiguous characters, undefinable by race or gender, are instead typified by the joy that they share, and the light they spark in one another.
The images she chooses are drawn from web searches, text messages, social media content, and personal pictures, raising questions about authenticity and exploring the difficulty and lack of desire to distinguish between reality and fiction.
They will discuss Soren’s artistic process, vision, and photographic works on view in Tabitha Soren
His desires and narratives are given visual form through photography, a medium that is as true and objective as it is malleable and obfuscating.
Through a key decision to incorporate the color black as ground, Haywood has produced his most mature body of work to date.
Mercury 20 Gallery is thrilled to present an exhibition celebrating its 15th year as an artist-run gallery.
Ranging in mediums from exposures on gelatin silver photo paper, to reclaimed wood lath constructions, and layered painting and drawing on canvas, these three artists use unique vocabularies to compose reflections of individual experience.
This powerful exhibition of figurative and abstract artworks channels the poetics of the human experience from past and present and boldly presents ideas about history, identity, personal stories, and spiritual inspiration.
At a moment when Mills is transitioning away from its identity as an historically women’s college, Unseen celebrates the power and legitimacy of women’s experiences.
Most of these artists’ greatest commonality is the found; a majority of the artworks gathered here incorporate found objects, materials, or images.
Drawing from her family’s Southern roots, current and historical socio-political events, intersectional feminism and African American protest and devotional traditions, Thomas’ practice centers ideas that amplify visibility, healing, and empowerment in the face of erasure, trauma, and oppression.
A current of sound runs through the Submarine of war, of work, of stealth, of humor, submerged, sub-colonial, subliminal, sublime, surging, streaming, sinking and surfacing from our dark waters.
There is no singular way to address the conversation of race and representation in contemporary art.
Allegra’s TEXERE: The Shape of Loss Is a Tapestry is a living, interactive memorial to losses of all sizes in our lives.
SplitNature is Round Weather’s first two-person exhibition, showcasing recent and time-tested artworks by Tanja Geis and Catherine Mackey.
Esperanza’s interest lies in sharing the beauty that she sees through her art.
Her sculptural pieces are deliberately ambiguous, a fantastical synthesis of biological imagery that ask the viewer to question whether the form is animal, botanical, or cellular; subtly shifting focus between a sense of familiarity and the otherworldly.
Experimenting with a range of forms and media from painting to ceramics and installation, the artists in “Ouroboros” invite the viewer to imagine alternate realities, question one’s relation to everyday objects, and reflect on living with mental illness.
Before COVID, each Wednesday night the CCA community would gather on the Oakland campus for exhibition openings and events. Across the gallery spaces on and around campus, there would be art, music, food, and we would toast the accomplishments of graduating students, esteemed faculty, and distinguished alumni.
Dr. Nicole R. Fleetwood will present her talk “Art, Abolition, and Black Feminist Activism” at Mills College’s Lisser Hall with a reception to follow.
Kathleen King’s recent assemblage and sculpture is comprised of materials gathered from city streets and the waste stream. An Event in the Form of Questions grids and structures evoke the given order from high-rises to prisons. This work challenges viewers to look at abandonment and lack as both material and spiritual conditions, as well as to think about satisfaction, which is linked to consumption and our global climate catastrophe. What do we need?
Jill McLennan’s work moves from local to global focus as she documents the movement of humans and animals around the planet in Migration Altered. McLennan’s paintings address the human impact on the earth through time, traveling back to a place inhabited by indigenous people and looking forward to damaged wetlands being reclaimed by birds.
While rigor and reason shore up Euclid’s logical system of plane geometry, Charlie Milgrim takes a more intuitive approach and renders her own geometric system of the three basic planes—the circle, square, and triangle. In Plane Shapes she creates an association of non-objective paintings and objects in which concentric and eccentric circles—one ordered, one disordered— collide with the linear edges and sharp corners of squares and triangles.
Round Weather’s first solo show highlights the powerful work of Yulia Pinkusevich. Born in Kharkov, Ukraine, the bodies of work represented range in tone from Pinkusevich’s scarily prescient Isorithm series based in a declassified military manual for mapping predictions of the impacts of nuclear bomb airbursts to her grandly soothing Sakha series meditating on connections with the ancient Siberian spirituality of her ancestors.
Mary Curtis Ratcliff’s latest show of new works, Casting Shadows is comprised of kinetic and wall-mounted sculptures and features the circular form, a major element of Ratcliff’s work since the early 1970s.
In her new show, The Mind Garden, Sara Lisch creates collages that explore and grow consciousness.
Join Craig Calderwood for a special walkthrough of her exhibition, The Light Bulb Sound, and take home a risograph print designed by the Artist. The Light Bulb Sound, part of MCAM’s 2022 Art + Process + Ideas Exhibition, shares elements of Calderwood’s creative process, including preliminary drawings and notes, alongside finished paintings. The exhibition shares […]
Virsik’s works contain thread and stitching, painted over self-portraits, silk organza, prints and old business cards, and dots and holes, all which reveal and conceal.
Jessica Cadkin’s installation, “Plume,” is made up of over seventy abstracted feather shapes, layered in small groupings and mounted on clear rods.
For his new series, “16:9,” Chris Komater has produced a body of very low-resolution photographs, 16 pixels wide by 9 pixels high. Almost visually indecipherable, the imagery suggests forms but the viewer completes the work by imbuing it with intent, definition, and meaning. Inspired by today’s polarized views of reality, he has created photos that […]
Join artist Christy Chan for a walkthrough of her exhibition, Patterns, followed by a contact improv dance performance by members of UNA Productions dance company in response to Chan’s Fainting Couch. Light reception to follow.
Composed Surfaces is an exhibition of paintings by Alexandra Bowes, Vicky Colombet, Tyler Cross, Sally Egbert, Prajakti Jayavant, and Javier Manrique.
Gray Loft Gallery is delighted to present Night Vision – curated by Isaac Jasper Amala. What happens when we can see with night vision? Night Vision presents the work of nine artists whose diverse practices tune into subtle and fugitive wavelengths – revealing glimpses of the tender, haunting, kaleidoscopic, sensual, and expansive worlds hidden within […]
The work in this show is inspired by the six months that artist Lisa Kairos spent in the Mojave Desert, just outside Joshua Tree National Park.
In late 2021, Neo Serafimidis began a photographic exploration in response to the perception of nature and reality into which we would emerge after COVID. As it turned out, the pandemic was not over; re-emergence in any sense was suspended. Our relationship to this new world is vague and as variable and mutable as the virus itself.
This body of paintings on recycled wood panels and old growth redwood is a continued exploration of how painter Raymond L. Haywood deals with and relates to the countless killings of African Americans in the United States.
Artists Christine Meuris and Kristina Nobleman are IN SYMMETRY. With the concepts of wholeness and balance in mind, they have created work in their related yet unique visual languages.
Come celebrate the release of TODAY’S SPECIAL by Melek Zertal & Christina Svenson
All is Not Lost is a nighttime experience intended to offer a moment of pause in the chaos of our time.
That’s A More is a two person shows that take place in the homes of artists who live together.
A conversation between Bay Area artists Judith Belzer and Kathryn Spence, whose work is featured in MCAM’s fall exhibition Shifting Terrains.
Johansson Projects presents Someday Morning, a two-person exhibition of works by Brian Scott Campbell and Matthew F Fisher. The works in this show skew toward perceptually driven portrayals of nature: a wave, the sun, a waterfall, a grove of trees, rolling hills, winding paths.
Transmission Gallery Oakland presents Painting Out of a Corner, a solo exhibition of M. Mark Bauer’s colorful, intricate and fantastical paintings.
Bessma Khalaf utilizes photography, video, sculpture, and performance to explore the boundaries of landscape, place, and image
We are delighted to present SHADES OF GRAY, a group show selected by Ann Jastrab and Jan Watten. On display will be photos of cool neutrals, sophisticated deep charcoal gray images, glimmers of gray in a color landscapes and the beautiful mid-tones of perfect gelatin silver prints. Mixed media, alternative processes, color imagery and traditional black and white photographs will be on view.