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Lezley Saar: “Surrealism, Symbolism, and Significance”
February 3 @ 4:00 pm - 5:00 pm PSTFree
University of Oregon Winter 2022 Visiting Artist Lecture Series
Presented by the Department of Art and Center for Art Research
Lectures will also live stream on the UO IS Media Services YouTube.
Lezley Saar will be talking about the different series that she’s done and the various themes that deal with notions of race, gender, sanity, literature, heritage, escapism, and marginalization. These series include: Anomalies, Mulatto Nation, Autist’s Fables, Madwoman in the Attic, Monad, Gender Renaissance, A Conjuring of Conjurors, and Black Garden. She will delve into her decision-making process for her next theme/exhibition, which takes forever, as well as all the research. She will touch on her materials and the role they play in illuminating the subjects of her portraits. She will also mention a bit about her past, what she ﬁnds interesting today, and her hopes for the future.
Lezley Saar is a mixed media artist currently living in Los Angeles. While majoring in communications at San Francisco State University, she worked at KPFA radio in Berkeley as part of a collective; The Souls of Black Folk. There she started illustrating for her writer friends. In the 80s, she began making altered books. Her works now include paintings, drawings, altered books, banners, collages, dioramas, and installations. Saar’s various recent series; Anomalies, Mulatto Nation, Tooth Hut, Autist’s Fables, Madwoman in the Attic, Monad, Gender Renaissance, A Conjuring of Conjurors, and Black Garden deal with notions of race, gender, beauty, normalcy, escapism and sanity. She has exhibited nationally and internationally, and is in museum collections such as The Kemper Museum, CAAM, MOCA Los Angeles, LACMA, The Studio Museum in Harlem, The Ackland Art Museum, The Crocker Art Museum, The Museum of Fine Arts Houston,The Schnitzer Museum, Oregon, and The Santa Barbara Museum of Art.
Co-sponsored by the Jordan Schnitzer Museum of Art and the Department of Art.